765 Royalty-Free Audio Tracks for "Book 2"

Klaviersonate Nr. 2, Op. 2.2 - II. Largo appassionato

John Philip Sousa's "The Occidental" (1887) as performed by the United States Marine Band. Track 30 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "National Fencibles" (1888) as performed by the United States Marine Band. Track 33 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Semper Fidelis" (1888) as performed by the United States Marine Band. Track 34 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Transit of Venus" (1883) as performed by the United States Marine Band. Track 22 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Mother Goose" (1883) as performed by the United States Marine Band. Track 19 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The White Plume" (1884) as performed by the United States Marine Band. Track 23 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Sound Off" (1885) as performed by the United States Marine Band. Track 26 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The White Plume" (1884) as performed by the United States Marine Band. Track 23 from the band's 2016 album "The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889)". Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Ben Bolt" (1888) as performed by the United States Marine Band. Track 31 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Crusader" (1888) as performed by the United States Marine Band. Track 32 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Rifle Regiment" (1886) as performed by the United States Marine Band. Track 29 from the band's 2016 album "The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889)". Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Right Left" (1883) as performed by the United States Marine Band. Track 21 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Ben Bolt" (1888) as performed by the United States Marine Band. Track 31 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Gladiator" (1886) as performed by the United States Marine Band. Track 28 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Triumph of Time" (1885) as performed by the United States Marine Band. Track 27 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Sound Off" (1885) as performed by the United States Marine Band. Track 26 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

*Two secors on C. 18/52/19 = 233.43 cents.

John Philip Sousa's "Pet of the Petticoats" (1883) as performed by the United States Marine Band. Track 20 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Crusader" (1888) as performed by the United States Marine Band. Track 32 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Mother Hubbard March" (1885) as performed by the United States Marine Band. Track 25 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Mikado March" (1885) as performed by the United States Marine Band. Track 24 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Triumph of Time" (1885) as performed by the United States Marine Band. Track 27 from the band's 2016 album "The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889)". Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Rifle Regiment" (1886) as performed by the United States Marine Band. Track 29 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "The Gladiator" (1886) as performed by the United States Marine Band. Track 28 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "Right Left" (1883) as performed by the United States Marine Band. Track 21 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

John Philip Sousa's "National Fencibles" (1888) as performed by the United States Marine Band. Track 33 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

Kein schöner Land in dieser Zeit

*2 steps in 5-et on C. Equal-tempered: 22/5=4/10:1 = 480 cents. MIDI pitch bend: 77,57

*2 steps in 31 equal temperament on C. Equal-tempered: 22/31:1 = 77.42 cents. MIDI pitch bend: 99,56

*2 steps in 41 equal temperament on C. Equal-tempered: 22/41:1 = 58.53658 cents. MIDI pitch bend: 93,50

Klaviersonate Nr. 2 Op. 2.2 - I. allegro vivace

Chromatic fourth in Johann Sebastian Bach's Well-Tempered Clavier (the chromatic fourth is indicated by a red bracket). From Fugue No. 2 in D minor of the second book of Bach's Well-Tempered Clavier (BWV 875). Entered into Finale 2006, with red bracket added in Photoshop. The music this excerpt comes from is public domain. My selection and addition of bracket is GFDL.

John Philip Sousa's "Semper Fidelis" (1888) as performed by the United States Marine Band. Track 34 from the band's 2016 album The Complete Marches of John Philip Sousa: Vol. 2 (1883-1889). Conducted by Lieutenant Colonel Jason K. Fettig.

Brobigdinian Gigue from Telemann's Gulliver Suite. Notated in 12/8, dotted quarter = 90.

Lilliputian Chaconne from Telemann's Gulliver Suite. Notated in 3/4, quarter note = 120.

한국어: 요한 제바스티안 바흐의 브란덴부르크 협주곡 2번 2악장 Brandenburg Concerto.No. 2 in F Major, 2nd movement

1. Till Anna Brita Johansson 2. Till Johan Valfrid Johansson

Klaviersonate Nr. 2 Op. 2.2 - III. Scherzo and Trio (allegretto)

*2 steps in 15 equal temperament on C = D↓ (Easley Blackwood's notation). Equal-tempered: 22/15:1 = 160 cents. MIDI pitch bend: 26,51

*2 steps in 19 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 22/19:1 = 126.32 cents. MIDI pitch bend: 54,72 Created in Sibelius with midi pitch bend on 72 for 125 cents rather than 126.32. New version a m2 on 53,72 for 126.2939453125 cents rather than 126.32.

*2 steps in 7-et on C. Equal-tempered: 22:7:1 = 342.86 cents. MIDI pitch bend: 91,77

Johann Sebastian Bach's 1st Partita for Solo Violin, 1st movement: Allemande, recorded in the MAT Listening Room, QMUL, London, UK

*1 step in 11 equal temperament on C. Equal-tempered: 22/22:1 = 109.09 cents. MIDI pitch bend: 116,66

*1 step in 36 equal temperament/6th tone on C. Equal-tempered: 22/72:1 = 33.33 cents. MIDI pitch bend: 85,74

1st release date: January 1942 1st recording date: 9 May 1940 Place of recording: Carnegie Hall (Studio), New York City (United States) Author(s)/Composer(s): Johannes Brahms (1833-1897) Performer(s): Piano: Vladimir Horowitz (1903-1989) and the NBC Symphony Orchestra Vocal range: instrumental Title/Work: Piano Concerto No. 2 in B-flat major, Op. 83 Content: 4th movement (Conclusion): Allegretto grazioso Genre(s): Piano concert

*Third-tone/1 step in 18 equal temperament on C. Equal-tempered: 21/18:1 = 66.67 cents. MIDI pitch bend: 43,53

1st release date: January 1942 1st recording date: 9 May 1940 Place of recording: Carnegie Hall (Studio), New York City (United States) Author(s)/Composer(s): Johannes Brahms (1833-1897) Performer(s): Piano: Vladimir Horowitz (1903-1989) and the NBC Symphony Orchestra Vocal range: instrumental Title/Work: Piano Concerto No. 2 in B-flat major, Op. 83 Content: 4th movement (Part 2): Allegretto grazioso Genre(s): Piano concert

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 21 Prelude No. 11 in F major, BWV 856